{"id":716,"date":"2025-02-12T15:30:04","date_gmt":"2025-02-12T14:30:04","guid":{"rendered":"https:\/\/evangelinefont.fr\/?page_id=716"},"modified":"2025-09-30T20:17:02","modified_gmt":"2025-09-30T18:17:02","slug":"biographie","status":"publish","type":"page","link":"https:\/\/evangelinefont.fr\/index.php\/biographie\/","title":{"rendered":"biographie"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p class=\"has-accent-color has-text-color has-link-color wp-elements-75c69c8b87349d25558e5ee0701fec23\"><br><br><\/p>\n\n\n\n<div class=\"wp-block-group is-layout-grid wp-container-core-group-is-layout-478b6e6b wp-block-group-is-layout-grid\">\n<p class=\"has-text-align-left has-medium-font-size\">\ud80c\udd8f<\/p>\n<\/div>\n\n\n\n<p class=\"has-text-align-left has-base-2-color has-text-color has-link-color has-small-font-size wp-elements-de61c3ab4b6644071f9aa56813ad66bf\" style=\"padding-top:var(--wp--preset--spacing--10);padding-right:0;padding-bottom:var(--wp--preset--spacing--10);padding-left:0\">N\u00e9e en 1996, Evangeline vis et travaille \u00e0 Marseille. Apr\u00e8s un cursus en design textile, elle \u00e9tudie a\u0300 la Villa Arson o\u00f9 elle obtient son DNSEP en 2023. Elle est actuellement membre du programme \u00e9cumes mis en place par Dos Mares et laur\u00e9ate du prix Marguerite &amp; M\u00e9thode Keskar. Son travail a \u00e9t\u00e9 expos\u00e9 \u00e0 100% EXPO \u00e0 la Villette, \u00e0 Sweet days of discipline au centre d&rsquo;art de la Villa Arson curat\u00e9 par Octopusnote et \u00e0 l\u2019exposition Notre belle part, La Rel\u00e8ve7 dans le cadre du festival Parall\u00e8le \u00e0 Marseille.<br><br>Evang\u00e9line de\u0301veloppe une pratique pluridisciplinaire ou\u0300 les techniques artisanales de teinture naturelle et la sculpture traditionnelle (modelage\/moulage\/ce\u0301ramique) se me\u0302lent au c\u0153ur d\u2019installation aux allures d\u2019espaces domestiques. Influenc\u00e9 par la science fiction des ann\u00e9es 70 et la pens\u00e9e f\u00e9ministe, elle s\u2019int\u00e9resse \u00e0 la mani\u00e8re dont le non-humain habite les lieux urbains et domestiques en proposant des espaces de r\u00e9alit\u00e9s parall\u00e8le infectant notre lecture du r\u00e9el.<br>Sa recherche plastique explore la construction de nos imaginaires et de notre syst\u00e8me de m\u00e9morisation par la cr\u00e9ation de narration visuelle suivant la m\u00e9thodologie de construction de r\u00e9cit d\u2019Ursula K. Le Guin et la discipline m\u00e9motechnique de Frances Yates, \u00ab\u00a0L\u2019art de la m\u00e9moire\u00a0\u00bb.<\/p>\n\n\n\n<p class=\"has-text-align-left has-contrast-3-color has-text-color has-link-color has-small-font-size wp-elements-a48a4109acab9a90874d08c536da0303\" style=\"padding-top:var(--wp--preset--spacing--10);padding-right:0;padding-bottom:var(--wp--preset--spacing--10);padding-left:0\"><br><\/p>\n\n\n\n<div class=\"wp-block-group is-layout-grid wp-container-core-group-is-layout-29271053 wp-block-group-is-layout-grid\">\n<p class=\"has-base-2-color has-text-color has-link-color wp-elements-d97c58b5f363dce37b9b8defebca5c79 wp-container-content-b4c5012d\"><strong>Prix<\/strong><br><br>2024<br>Prix Marguerite &amp; M\u00e9thode Keskar, Villa Arson, Nice.<br><br><strong>R\u00e9sidences<\/strong><br><br>2025<br><br><em>Nouveau Grand Tour Italie<\/em>, \u00e0 OperaNova avec l&rsquo;institut fran\u00e7ais, Orvieto, Italie.<br><em>Cr\u00e9ation en cours 9<\/em> avec les Ateliers M\u00e9dicis \u00e0 Saint Jean du Bruel, Aveyron.<\/p>\n\n\n\n<p class=\"has-base-2-color has-text-color has-link-color wp-elements-a5ad75191197e91822a2d446f7787242 wp-container-content-b4c5012d\"><strong>\u00c9tudes<\/strong><br><br>2023<br>Dipl\u00f4me National Sup\u00e9rieur d\u2019Expression Plastique &#8211; avec mention &#8211; Villa Arson, Nice.<br>2021<br>Dipl\u00f4me National D\u2019Art &#8211; avec les f\u00e9licitations du jury &#8211; Villa Arson, Nice.<br>2018<br>BTS Design de Mode, Textile et Environnement &#8211; Olivier deSerres, Paris.<br><\/p>\n\n\n\n<p class=\"has-base-2-color has-text-color has-link-color wp-elements-7d2758da9666ffe59c8a66881282ad7c wp-container-content-b4c5012d\"><strong>Expositions collectives<\/strong><br><br>2025<br><br><em>LaboDemo<\/em>, cur. Manon Klein et Andy Rankin, CWB, Paris.<br><em>Il Chaloupe,<\/em> Festival Marcel Longchamp, Marseille. <br><em>DogDays<\/em>, cur. Bronte Scott \u00e0 Sili avec Collectif Mastic, Marseille.<br><em>True Belief<\/em>, cur. ERRATUM, Agent Troublant, Marseille. <br><em>610 chevaux<\/em>, Atelier D\u00f4me 2, Marseille.<br><em>Le poids l\u00e9ger des ombres<\/em>, cur. Pierre Antoine Lalande, Julio Artist Run Space, Paris.<br><em>La Rel\u00e8ve 7<\/em>, Festival Parall\u00e8le, Chateau de Servi\u00e8res, Marseille.<br><br>2024<br><em>Sweet days of disciplines<\/em>, cur. Octopus Note, Villa Arson, Nice.<br><em>100% EXPO<\/em>, cur. In\u00e8s Geoffroy, Grande Halle de la Vilette, Paris.<br><\/p>\n\n\n\n<p class=\"has-base-2-color has-text-color has-link-color wp-elements-2f96f027fe347a0e506511822d772e13\"><strong>Accompagnement<\/strong><br><br>2024-25 <em>\u00c9cumes, <\/em>avec Dos Mares, programme coop\u00e9ratif pour la r\u00e9flexion critique et la mobilit\u00e9 translocal \u00e0 Marseille.<\/p>\n\n\n\n<p class=\"has-base-2-color has-text-color has-link-color has-medium-font-size wp-elements-eaeb2564bfc024d881c7584c6a60e94f wp-container-content-b4c5012d\">\ud80c\udd8f<\/p>\n\n\n\n<p class=\"has-text-align-right has-base-2-color has-text-color has-link-color has-medium-font-size wp-elements-de1196f9126a86667c9229887e61664d wp-container-content-b4c5012d\">\ud80c\udd8f<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\ud80c\udd8f N\u00e9e en 1996, Evangeline vis et travaille \u00e0 Marseille. Apr\u00e8s un cursus en design textile, elle \u00e9tudie a\u0300 la Villa Arson o\u00f9 elle obtient son DNSEP en 2023. Elle est actuellement membre du programme \u00e9cumes mis en place par Dos Mares et laur\u00e9ate du prix Marguerite &amp; M\u00e9thode Keskar. Son travail a \u00e9t\u00e9 expos\u00e9 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-716","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/evangelinefont.fr\/index.php\/wp-json\/wp\/v2\/pages\/716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/evangelinefont.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/evangelinefont.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/evangelinefont.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/evangelinefont.fr\/index.php\/wp-json\/wp\/v2\/comments?post=716"}],"version-history":[{"count":30,"href":"https:\/\/evangelinefont.fr\/index.php\/wp-json\/wp\/v2\/pages\/716\/revisions"}],"predecessor-version":[{"id":1010,"href":"https:\/\/evangelinefont.fr\/index.php\/wp-json\/wp\/v2\/pages\/716\/revisions\/1010"}],"wp:attachment":[{"href":"https:\/\/evangelinefont.fr\/index.php\/wp-json\/wp\/v2\/media?parent=716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}